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Concerts with works by
Unsuk Chin

Unsuk Chin is a renowned South Korean composer known for her innovative contemporary classical music. Blending complex textures with lucid structures, she explores diverse sonic landscapes. Chin's works are performed globally, reflecting her deep engagement with acoustic phenomena and cultural influences. Her accolades include the prestigious Grawemeyer Award for Music Composition.

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Upcoming Concerts

Concerts in season 2024/25 or later where works by Unsuk Chin is performed

February 25, 2025
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CAROLIN WIDMANN

Tue, Feb 25, 2025, 19:30
Widmann Carolin (Violin), SWR Experimentalstudio (Live-Electronic Realisation), Acker Michael (Sound Director)
“Traveler, there is no road. You make your own path as you walk.” Inscribed on the wall of a Spanish monastery, these words were discovered by Luigi Nono in the 1980s and became a kind of motto for his late works. The search for an unattainable music of the future also infuses his penultimate score La lontananza nostalgica utopica futura, composed in 1988–9. Carolin Widmann and the SWR Experimentalstudio bring the piece to the Pierre Boulez Saal. Widmann complements Nono’s meditation on space and sound with works from the 18th and 21st centuries by Telemann, George Benjamin, and Swiss composer Helena Winkelman.
March 9, 2025
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Kindertag: FamilienKonzert mit dem Konzerthausorchester

Sun, Mar 9, 2025, 11:00
Konzerthaus Berlin, Großer Saal (Berlin)
Konzerthausorchester Berlin, Florian Groß (Conductor), Karin Meissl (Presenter), Cristina Amodeo (Director)
Music is like time, sometimes fast, sometimes slow. Its tempo can be steady like a heartbeat or expansive like the universe. In this concert, we journey through the vastness of space, across seasons and time, until we arrive in the present moment.
May 18, 2025
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Die dunkle Seite des Mondes

Sun, May 18, 2025, 18:00
Unsuk Chin (Komposition), Dead Centre (Inszenierung), Kent Nagano (Musical Director), Jeremy Herbert (Bühne), Janina Brinkmann (Costume), James Farncombe (Licht), Sophie Lux (Video), Dr. Angela Beuerle (Dramaturgie), Michael Sangkuhl (Dramaturgie), Christian Günther (Chorleitung), Thomas Lehman (Dr. Kieron), Bo Skovhus (Meister Astaroth), Siobhan Stagg (Miriel), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
Dr. Kieron is a brilliant scientist, respected and feared by his colleagues. But what nobody suspects is that every night he is haunted in his dreams by three recurring beings, enigmatic numbers and mysterious symbols, which he experiences with unbearably intense feelings. It is from these apparitions that he receives his scientific visions - the fundamental basis of his success. He also leads a double life. A highly respected scientist by day, he dives into the shady underworld at night in a restless search for human happiness. But his control over himself is slipping away. In order to satisfy his irrepressible urge for scientific knowledge and an emotionally fulfilling life, Kieron wants to have his dreams analyzed and enters into an alliance with the diabolical master Astaroth, with fatal consequences. Unsuk Chin drew inspiration for her second opera from the life and work of the legendary physicist Wolfgang Pauli and his relationship with the psychiatrist Carl Gustav Jung. Faustian material for the 21st century. Musical Direction: Kent Nagano Production: Dead Centre Stage: Jeremy Herbert Costumes: Janina Brinkmann Lighting: James Farncombe Video: Sophie Lux Dramaturgy: Angela Beuerle, Michael Sangkuhl Commissioned by the State Opera Hamburg with the support of the Ernst von Siemens Music Foundation Opera in two acts and ten pictures Based on a fictional story by the composer, inspired by the relationship between Wolfgang Pauli and Carl Gustav Jung
May 21, 2025
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Die dunkle Seite des Mondes

Wed, May 21, 2025, 19:30
Unsuk Chin (Komposition), Dead Centre (Inszenierung), Kent Nagano (Musical Director), Jeremy Herbert (Bühne), Janina Brinkmann (Costume), James Farncombe (Licht), Sophie Lux (Video), Dr. Angela Beuerle (Dramaturgie), Michael Sangkuhl (Dramaturgie), Christian Günther (Chorleitung), Thomas Lehman (Dr. Kieron), Bo Skovhus (Meister Astaroth), Siobhan Stagg (Miriel), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
Dr. Kieron is a brilliant scientist, respected and feared by his colleagues. But what nobody suspects is that every night he is haunted in his dreams by three recurring beings, enigmatic numbers and mysterious symbols, which he experiences with unbearably intense feelings. It is from these apparitions that he receives his scientific visions - the fundamental basis of his success. He also leads a double life. A highly respected scientist by day, he dives into the shady underworld at night in a restless search for human happiness. But his control over himself is slipping away. In order to satisfy his irrepressible urge for scientific knowledge and an emotionally fulfilling life, Kieron wants to have his dreams analyzed and enters into an alliance with the diabolical master Astaroth, with fatal consequences. Unsuk Chin drew inspiration for her second opera from the life and work of the legendary physicist Wolfgang Pauli and his relationship with the psychiatrist Carl Gustav Jung. Faustian material for the 21st century. Musical Direction: Kent Nagano Production: Dead Centre Stage: Jeremy Herbert Costumes: Janina Brinkmann Lighting: James Farncombe Video: Sophie Lux Dramaturgy: Angela Beuerle, Michael Sangkuhl Commissioned by the State Opera Hamburg with the support of the Ernst von Siemens Music Foundation Opera in two acts and ten pictures Based on a fictional story by the composer, inspired by the relationship between Wolfgang Pauli and Carl Gustav Jung
May 27, 2025
Artistic depiction of the event

Die dunkle Seite des Mondes

Tue, May 27, 2025, 19:30
Unsuk Chin (Komposition), Dead Centre (Inszenierung), Kent Nagano (Musical Director), Jeremy Herbert (Bühne), Janina Brinkmann (Costume), James Farncombe (Licht), Sophie Lux (Video), Dr. Angela Beuerle (Dramaturgie), Michael Sangkuhl (Dramaturgie), Christian Günther (Chorleitung), Thomas Lehman (Dr. Kieron), Bo Skovhus (Meister Astaroth), Siobhan Stagg (Miriel), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
Dr. Kieron is a brilliant scientist, respected and feared by his colleagues. But what nobody suspects is that every night he is haunted in his dreams by three recurring beings, enigmatic numbers and mysterious symbols, which he experiences with unbearably intense feelings. It is from these apparitions that he receives his scientific visions - the fundamental basis of his success. He also leads a double life. A highly respected scientist by day, he dives into the shady underworld at night in a restless search for human happiness. But his control over himself is slipping away. In order to satisfy his irrepressible urge for scientific knowledge and an emotionally fulfilling life, Kieron wants to have his dreams analyzed and enters into an alliance with the diabolical master Astaroth, with fatal consequences. Unsuk Chin drew inspiration for her second opera from the life and work of the legendary physicist Wolfgang Pauli and his relationship with the psychiatrist Carl Gustav Jung. Faustian material for the 21st century. Musical Direction: Kent Nagano Production: Dead Centre Stage: Jeremy Herbert Costumes: Janina Brinkmann Lighting: James Farncombe Video: Sophie Lux Dramaturgy: Angela Beuerle, Michael Sangkuhl Commissioned by the State Opera Hamburg with the support of the Ernst von Siemens Music Foundation Opera in two acts and ten pictures Based on a fictional story by the composer, inspired by the relationship between Wolfgang Pauli and Carl Gustav Jung
May 31, 2025
Artistic depiction of the event

Die dunkle Seite des Mondes

Sat, May 31, 2025, 19:30
Unsuk Chin (Komposition), Dead Centre (Inszenierung), Kent Nagano (Musical Director), Jeremy Herbert (Bühne), Janina Brinkmann (Costume), James Farncombe (Licht), Sophie Lux (Video), Dr. Angela Beuerle (Dramaturgie), Michael Sangkuhl (Dramaturgie), Christian Günther (Chorleitung), Thomas Lehman (Dr. Kieron), Bo Skovhus (Meister Astaroth), Siobhan Stagg (Miriel), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
Dr. Kieron is a brilliant scientist, respected and feared by his colleagues. But what nobody suspects is that every night he is haunted in his dreams by three recurring beings, enigmatic numbers and mysterious symbols, which he experiences with unbearably intense feelings. It is from these apparitions that he receives his scientific visions - the fundamental basis of his success. He also leads a double life. A highly respected scientist by day, he dives into the shady underworld at night in a restless search for human happiness. But his control over himself is slipping away. In order to satisfy his irrepressible urge for scientific knowledge and an emotionally fulfilling life, Kieron wants to have his dreams analyzed and enters into an alliance with the diabolical master Astaroth, with fatal consequences. Unsuk Chin drew inspiration for her second opera from the life and work of the legendary physicist Wolfgang Pauli and his relationship with the psychiatrist Carl Gustav Jung. Faustian material for the 21st century. Musical Direction: Kent Nagano Production: Dead Centre Stage: Jeremy Herbert Costumes: Janina Brinkmann Lighting: James Farncombe Video: Sophie Lux Dramaturgy: Angela Beuerle, Michael Sangkuhl Commissioned by the State Opera Hamburg with the support of the Ernst von Siemens Music Foundation Opera in two acts and ten pictures Based on a fictional story by the composer, inspired by the relationship between Wolfgang Pauli and Carl Gustav Jung
June 5, 2025
Artistic depiction of the event

Die dunkle Seite des Mondes

Thu, Jun 5, 2025, 19:30
Unsuk Chin (Komposition), Dead Centre (Inszenierung), Kent Nagano (Musical Director), Jeremy Herbert (Bühne), Janina Brinkmann (Costume), James Farncombe (Licht), Sophie Lux (Video), Dr. Angela Beuerle (Dramaturgie), Michael Sangkuhl (Dramaturgie), Christian Günther (Chorleitung), Thomas Lehman (Dr. Kieron), Bo Skovhus (Meister Astaroth), Siobhan Stagg (Miriel), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
Dr. Kieron is a brilliant scientist, respected and feared by his colleagues. But what nobody suspects is that every night he is haunted in his dreams by three recurring beings, enigmatic numbers and mysterious symbols, which he experiences with unbearably intense feelings. It is from these apparitions that he receives his scientific visions - the fundamental basis of his success. He also leads a double life. A highly respected scientist by day, he dives into the shady underworld at night in a restless search for human happiness. But his control over himself is slipping away. In order to satisfy his irrepressible urge for scientific knowledge and an emotionally fulfilling life, Kieron wants to have his dreams analyzed and enters into an alliance with the diabolical master Astaroth, with fatal consequences. Unsuk Chin drew inspiration for her second opera from the life and work of the legendary physicist Wolfgang Pauli and his relationship with the psychiatrist Carl Gustav Jung. Faustian material for the 21st century. Musical Direction: Kent Nagano Production: Dead Centre Stage: Jeremy Herbert Costumes: Janina Brinkmann Lighting: James Farncombe Video: Sophie Lux Dramaturgy: Angela Beuerle, Michael Sangkuhl Commissioned by the State Opera Hamburg with the support of the Ernst von Siemens Music Foundation Opera in two acts and ten pictures Based on a fictional story by the composer, inspired by the relationship between Wolfgang Pauli and Carl Gustav Jung
June 27, 2025
Artistic depiction of the event

Meister & Müller

Fri, Jun 27, 2025, 20:00
Philharmonie Berlin, Main Auditorium (Berlin)
Cornelius Meister (Conductor), Hanna-Elisabeth Müller (Soprano), Deutsches Symphonie-Orchester Berlin
»No original feeling … nothing but technical skill, calculation and inner deceit, a sickly, ill-tasting Supermusic«, an outraged critic wrote of the premiere of Mahler’s Fourth in Munich in 1901. Today we speak of a masterpiece. One can love or hate Mahler’s symphonies: some suffer vicariously with them, understanding their loneliness and loving their melancholy. Others find them outré, self-indulgent, hysterical. In the Fourth, it’s all not so bad. »We revel in heavenly pleasures«, it says at the end.
June 29, 2025